12:24 (...) shingo tamagawa also uses physical drawings in his animation work. he didn’t plan it too closely, unexpected scenes, but somehow had same wider idea he said. and I agree. the scenes cut from one to the other, it feels like a Dream with dream logic. It had the intensity of emotion you’d feel in a dream, and it lingers. the colours and physical textures are fantastic. I wonder if I should start a physical drawing. and make it move from there. nooshin told me to continue the simple line animation, but I want something more. it wasn’t refined enough. sure, I could overlay it with the footage of the mammoth, but... I don’t feel satisfied even thinking about it - I know it may turn out unexpected, but.. I don’t know, maybe I don’t have the right workspace or vibrant materials... maybe I can use those kinds of brushes digitally. intentionally ‘real’ ‘physical’ strokes. I just can’t feel it. That’s all. and there is a different kind of accident. not human - on - paper error. I'm gonna link the work and also the artist talking about this work below..
