the second cinematography and painting talk was the same as the one last time, but it was good to get a refresher.
rough notes:
mike silva the approach
David Lynch films (uncanny) (blue velvet, twin peaks,
Edward hopper (colour - colours in black and white film) the incidental, nature of his characters, Informed by photography,
manet, alienation, separation,
Clove oil , in oil paint, from chemist, one drop mixed in linseed oils, take days longer to dry,
Mannerism, 18th century movement in portraiture (Glenn brown)
Caroline walker (staged everyday)
Greggory crewdson , shoot photo, and paint, very David lynch, quote narrative.
rough notes:
mike silva the approach
David Lynch films (uncanny) (blue velvet, twin peaks,
Edward hopper (colour - colours in black and white film) the incidental, nature of his characters, Informed by photography,
manet, alienation, separation,
Clove oil , in oil paint, from chemist, one drop mixed in linseed oils, take days longer to dry,
Mannerism, 18th century movement in portraiture (Glenn brown)
Caroline walker (staged everyday)
Greggory crewdson , shoot photo, and paint, very David lynch, quote narrative.
